Monday, 25 October 2010
introduction
taking the oblique performative work of an obscure theatric group as stepping stone, the
workshop will focus on matters of body and space morphologies.
through the re-collection of plausible, yet imaginary happenings in real (and thus tangible)
architectural spaces, the workshop will attempt to translate mind and matter into an
amalgam of sensuous evidential material, attempting to bridging the gap between the
imaginary and the real, establishing a memorable forum of oblique architectural reflection.
the elaboration of material during the workshop will encompass simple analogue and digital
tools/skills; the virtual recollections will be translated in sensuous, yet precise material(s)
evidences(s): plaster casts, drawings, photos, video, and short texts, all developed after
open-form constraints.
reading material:
Thomas Wiesner:
Soundings and Repercussions: The creative stratagems of RZP[a]
Paper given at the 91st ACSA International Conference ”Contribution and Confusion:
Architecture and other fields of inquiry”, Helsinki, July 2003